Staying sane

Why we don't charge a lot more

1.  We’re afraid we won’t get the assignment.  It will go to the cheaper guy.

2.  We’re afraid of being laughed at.  “How much?  For that?  Are you serious?  Wow, you are way out of line here.”

3.  We’re afraid the client will say yes to that big juicy fee, and holy crap we’ll [...]

Staying sane

Finding joy in skunk work

There is a perverse karma in freelancing in that, sometimes, the most lucrative and most plentiful work can be the ugliest.

Or the work that makes your skull ache is precisely the work clients love you for.

A programmer friend of mine moans that he could spend six months a year collecting $10,000 checks for untangling hairballs of code for big enterprise applications. He’s supremely good at the work, but can’t stand the pain of doing it.

Meanwhile, he’s itching to program some kick-ass photo manipulation software for a startup. But that gig pays only in Cheetos. The small bags.

Me, I have a client who will pay me $2,400, over and over again, to write the same happy customer story, over and over again, all year long. Same word count, same format, same subheads each time. I have to duct-tape myself to the chair to get these done.

But the client loves them. And wants ever more.

It is thus for all freelancers at times.  For all artists.  Even for companies.

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Staying sane

Take the job? Or not.

There are only three possible reasons for saying ‘yes’ to a freelance assignment.

You’re making a good pile of money. You’ll have a lot of fun doing it. You’ll be doing good for a bunch of people.

None of the above?

Pass.

Interviews

Steven Pressfield Q&A: The War of Art

If there’s a book that should be wedged into every freelancer’s toolbox, it’s this one:  The War of Art.

Steven Pressfield: Imparting a little starch and inspiration to creative freelancers

It’s by Steven Pressfield, novelist and screenwriter who wrote The Legend of Bagger Vance, Gates of Fire, The Last of the Amazons, The Afghan Campaign, The Virtues of War, and most recently Killing Rommel. This guy produces.

In the War of Art he has much to say to us creatives and freelancers and entrepreneurial types who have stacks of daydream projects and works laying around undone.  Or even untouched.

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Clients

When to say no: A budget mismatch

This is a lesson I have to re-learn every once in a while:

If you’re working at the lower limit of your fee range, and the client is at the upper limits of their budget range, step away.  Better yet, run.

When it’s small potatoes for you, but a major deal for them, it will go south fast. You will lose money. They will be pissed off.  It will be a 360-degree stinker.

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Staying sane

Freelancers vs. entrepreneurs: II

Is entrepreneurship somehow a more worthy calling than freelancing?

Some people think so. I disagree.

True, in some circles, the ‘entrepreneur’ carries many more status
points. The enterpreneur is the capitalist hero. He is Andrew Carnegie,
Michael Dell, and the guys who invented Google. The kids who sold
YouTube for a few billion.

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Staying sane

Your freelance tool box

What should you stock in your tool box?

You’ll need optimism.  You must believe things will work out.

You need confidence.  Two sets of that, plus a spare.  And a back-up.  You can’t work scared.  Clients will sense it and be uneasy.  Confidence will trump almost anything.

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